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GOZZOLI, Benozzo
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| Italian Early Renaissance Painter, 1420-1497 Italian Renaissance painter. Early in his career he assisted Lorenzo Ghiberti on the east doors of the Baptistery in Florence and Fra Angelico on frescoes in Florence, Rome, and Orvieto. His reputation today rests on the breathtaking fresco cycle The Journey of the Magi (1459 C 61) in the chapel of Florence's Medici-Riccardi Palace. His work as a whole was undistinguished, however. He painted several altarpieces and a series of 25 frescoes of Old Testament scenes | ||||
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Martyrdom of St Sebastian new16/GOZZOLI, Benozzo-455675.jpg Painting ID:: 44389 |
Tempera on panel, 525 x 378 | ||
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Antonio Pollaiuolo
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| 1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496. | ||||
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Martyrdom of St Sebastian new16/Antonio Pollaiuolo-335744.jpg Painting ID:: 44429 |
1473-75 Panel, 292 x 2023 cm | ||
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Luca Signorelli
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| Crtona 1441-1523 .Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work. | ||||
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Martyrdom of St Sebastian new25/Luca Signorelli-496699.jpg Painting ID:: 91300 |
1498(1498) Medium oil on panel cyf | ||
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unknow artist
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Martyrdom of St Sebastian new26/unknow artist-668493.jpg Painting ID:: 98389 |
circa 1510(1510) Medium panel Dimensions Height: 30 cm (11.8 in). Width: 22 cm (8.7 in). | ||
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